Review: & Juliet at the Wales Millennium Centre, Cardiff

“What light through yonder spotlight breaks?” It is the east, and & Juliet is the sun, rising with glitter, pop, and pure theatrical joy.

I’m still catching my breath… what a show!

Before diving into the performance itself, I was lucky enough to attend a pre-show event, a dance workshop with members of the cast. This kind of experience doesn’t come around often, and it made the night feel all the more special.

Admittedly, I was a bit nervous about joining in. But those nerves disappeared the moment we stepped into the rehearsal space and were greeted by the ever-welcoming Andile (Augustine/Francois Swing & Dance Team) and Michael Nelson (Henry). Their enthusiasm and professionalism were infectious, and before long, we were learning choreography to Katy Perry’s Roar. Seeing that number later in the show gave me a quiet thrill not just because of the spectacle on stage, but because I’d had a small taste of what goes into making it happen. Huge thanks to Andile, Michael and the WCS Agency team for such a brilliant experience.

From the moment you enter the auditorium, you know you’re in for something different.
There’s no curtain hiding the set, and the cast mingle and chat as the audience filters in. It’s playful, inviting, and breaks the traditional barrier between performer and spectator before the show even begins and that sets the tone perfectly for what’s to come.

The Story: Classic Twist, Contemporary Voice
Forget what you think you know about Shakespeare’s Romeo & Juliet. This version picks up after the tragic ending or rather, rewrites it. What if Juliet didn’t die? What if she had a second chance at life, love, and figuring out who she wants to be? That’s the question this show boldly explores, and it does so with a knowing wink and a whole lot of heart.

Written by David West Read (of Schitt’s Creek fame), the book is quick-witted and refreshingly modern. It pokes fun at Shakespeare while also celebrating storytelling, love, and self-discovery. The meta-theatrical angle with Shakespeare himself trying to control the narrative, while his wife Anne Hathaway argues for Juliet’s autonomy adds humour and depth to what could easily have been just a jukebox romp.

The Music: Pop Gold with Purpose
Now let’s talk music. All the songs are hits from Swedish super-producer Max Martin, whose chart-toppers have defined pop for decades. Britney Spears, Katy Perry, the Backstreet Boys, Kelly Clarkson they’re all here. But this isn’t just a karaoke night with choreography. The song choices have real dramatic function used to underscore emotion, elevate punchlines, and move the story forward.

I’m often cautious with jukebox musicals they can feel like the songs are forced in with little thought. But & Juliet defies that. Whether it’s a full number or just a few clever lyrical bars, each song earns its place. It’s a masterclass in how to use familiar music in unfamiliar and meaningful ways.

The sound design was exceptional too bold and immersive. At times the theatre pulsed like a nightclub, complete with deep bass and dazzling effects. It was electrifying and perfectly matched the energy of the performers.

Set, Design, and Visuals
The design is as bold as the concept. A smart combination of set pieces and vibrant LED screens transforms the stage from Renaissance to modern with seamless fluidity. Lighting cues were crisp and dynamic, constantly shifting the mood without distracting from the action. It’s a visually rich production that knows how to command your attention.

The Cast: All Killer, No Filler
The ensemble brought tremendous energy and cohesion, but it was the leads who really shone.

Gerardine Sacdalan’s Juliet is a revelation confident, funny, and utterly magnetic. Her vocals are phenomenal, and she manages to bring a modern sensibility to Juliet without losing any of her emotional core.

Jay McGuiness (yes, of The Wanted fame) makes for a loveably daft Shakespeare, with great comic timing and charm. He’s well-matched by Lara Denning as Anne Hathaway  a standout performance filled with warmth, sass, and vocal brilliance. Their onstage chemistry gives the show a surprisingly poignant edge amid the glitter and jokes.

Dr Ranj Singh, as Lance, is a total delight clearly enjoying every moment on stage – and Sandra Marvin’s Angelique brings powerhouse vocals and perfectly pitched humour. Their subplot is a joyous highlight.

Final Thoughts
& Juliet is an unapologetic celebration of pop, power, and rewriting your own story. It’s a feel-good, full-throttle musical that wears its heart on its sleeve and its glitter in plain sight. With sharp writing, iconic songs, and a cast bursting with charisma, it’s an irresistible night at the theatre.

Whether you’re a musical theatre regular or just fancy a fun night out with great tunes and big laughs, this show hits all the right notes.

★★★★★ (5/5 Stars)

& Juliet continues at the Wales Millennium Centre until 28th June 2025, with limited tickets available – & Juliet | Wales Millennium Centre